Metaverse fans have been attempting to place music on the blockchain for years. While many entrepreneurs and investors believe there is promise, many artists, at least so far, remain skeptical. The majority of these companies target artists who are already familiar with blockchain technology.
Nina, a new digital music marketplace in the manner of Bandcamp and Discogs launched yesterday on Solana. Which is an energy-efficient alternative to the Ethereum blockchain.
When an artist uploads an album to Nina, he or she makes it available for free streaming, similar to how Soundcloud or YouTube works. He does, however, issue a limited number of tokens that are not platform-specific. Users won’t get a digital copy of the music when purchasing an album token, but may be eligible for additional advantages.
“Tokens may be thought of as a type of modular loyalty program,” Pollard added. “You can make a token discord if an artist wants to announce something like, “Ticket sales open 30 minutes early for persons who have this token.” We’re not always going to prescribe a certain form of value.”
It will be up to the artists to establish the value on the metaverse, as well as to decide whether or not to provide collectors with specific benefits. Nina is planning to play songs by Ryley Walker, Homeshake, Aaron Dilloway, C. Spencer Yeh, Georgia, Cloud Nothings, Bergsonist, Horse Lords, Jeff Witscher, and more.
Only through USDC at the moment.
Nina will only accept USDC (US Dollar Coin), a popular “stablecoin” connected to the US dollar’s value. Although it is still a cryptocurrency, it is less volatile than Ethereum or SOL, the Solana blockchain’s native coin.
Nina is as a method for addressing one of crypto’s most fundamental issues, as well as the burgeoning cultural domain known as “Web 3.0”: accessibility. Crypto, and notably the community surrounding NFTs, remains confusing for many artists. It can be difficult to navigate unfamiliar crypto exchanges, unhosted wallets, and token exchanges.
For MetaNews.